A few weeks before the first lockdown in March 2020, I was lucky enough to work with Fat Toad Films and Hailstone Films on getting stills for promotion and joining them working on the Bridging the Gap funded documentary Racing Stock.
Racing Stock is Premiering at the 2021 Glasgow Film Festival! Link Here for how to see the whole thing.
’15-year-old Taylor Borthwick is a stock car racer, like her father and her grandfather before her. As she turns 16 she will move into the adult leagues, racing bigger, faster cars against men twice her age. It’s a dangerous sport, does she have what it takes?’
It was a great day covering a really heartfelt and personal story, and I am really happy with the images from the day. Here is a selection of some of my favourites:
Big thanks to Patrick & Charlotte, who were great to work with, as well as Taylor and her family, and the whole racing stock community we spent time with, and were very hospitable and friendly. I am excited to see the full premiere!
About 4 months ago, I had a conversation with my good friend and former flatmate Stephanie, about finding elf ears that actually matched her skin tone. Almost all of the available products were exclusively for white skin tones, and how much fantasy settings and shoots focus on white folk, and there are almost no black fantasy characters (Note, its not for historical accuracy, premodern europe in general was not nearly as homogenously white-skinned as a lot of media tends to present) (Also elves are not historically accurate either unfortunately).
We got chatting, and decided that we may as well make the most of the ears, and settled on a fantasy elf photoshoot in Roslin Glen. Roslin is probably one of the most magical places I know within an hour of Edinburgh, and a definite favourite for photoshoots. I also had recently taken some photographs with the Cailleach of Samhuinn 2020 for Beltane Fire Festival in the same area, so I was excited to use it again, and see what different spots we could find.
I brought a few props, Stephanie designed the costume as a combination of euro-centric fantasy with aspects of her traditional, Ghanaian cultural heritage, and we set to work! We found a few different locations that worked well, had a good time and a catchup, and I am really happy with the results.
We were pretty limited in terms of daylight, so we had to make use of the precious hours we had, but I think it turned out really well. Hopefully we will be able to do plenty more model photography exploring both black fantasy and more high fashion with Stephanie when it becomes sensible and safe to do so.
I have a bigger post planned talking about how I first started Blacklight photography (Also known as UV photography), but for now I want to talk about the most recent shoots I did, back in September.
This was a really fun time, I worked with three models on different days, and ended up with quite visually different results with each, focusing on a different style, and use of the UV paints. I think that Blacklight photography is really under-utilised in a lot of ways, mostly ending up associated with party and rave aesthetics, and very rarely used outside of that. (One of my favourite photographers for using Blacklights is the amazing Lasse Hoile, I encourage you to check out his work).
The First Shoot: Katherine
The first shoot was focused on using UV to embody the Cailleach, and I had a great time working with Kat more extensively producing short films later on with a more developed concept, which I will add a link too when they are available.
This was the first real test of the setup I had used in a while, and figuring out any issues that were going to come up, and how to resolve them. One of the bigger issues naturally was social distancing and safety precautions, which meant using longer lenses, and maybe having a slightly more impersonal look as a result. The other issue, is that model had to apply the UV paint herself, instead of me or a Makeup Artist. For the first shoot we kept the UV use limited, and used other props and costuming to complement it, and here are some of the results:
Although we were a bit tight on time and ran into some issues, I am happy with how these turned out overall, and they helped me troubleshoot and think more about different ways to use the paint to create different looks, and how I can complement those with the lighting setup and the camera placement.
The Second Shoot: Katarina
With the next model we had a lot more time to experiment with different looks and styles, as well as secondary lighting to bring out more than just the UV, and tried a few different application approaches for the paint to see where we could go with it, and I am really happy with how these images came out.
One thing I started thinking about during this shoot, was using UV for video, as well as blacklight photography. While I know it has been used here and there, I would be interested to do some tests and see how to make it work in that visual medium in a way that would be compelling.
The Third Shoot: Olivia
While the first two shoots mostly used the paint to highlight small areas of the face, or allude to it without showing it totally, the final shoot was more of an experiment in painting the whole face, and seeing how that could be utilised with different lighting and angles.
I think all of the different models, painting styles, and approaches bring with them different looks and ideas, and it was great to dig further into exploring those territories, and seeing what can be done.
Conclusion & Advice
I think one of the biggest limitations, is that none of the models or me have a background in makeup, and it would be really interesting to see what could be done if the application was done by someone with a bit more experience. Also use of UV powder, or more UV props, liquids etc to add more depth to the otherwise black background, and more flexiblity with the set in general would add a lot to the images, but I am really happy how they came out all the same.
If you are looking at doing some Blacklight photography, here is some thoughts I have on getting started:
Powerful UV cannons are expensive, you can do fine with the cheaper bulbs, just make sure to remove any other unwanted light sources. (Just make sure its a real UV bulb, not a regular bulb with a purple tint!)
Decide beforehand what kind of style you are going for, once the paint goes on, it is really hard to completely wash off, so work from more minimal looks to bigger ones to make the most of your time.
Light meters are not really made for this kind of lighting situation, manually exposing is pretty neccesary. Exposing for the highlights is even more important than normal here, as what will be overxposed will be all the key points of visual interest.
UV paint can produce a lot of different textures and looks based on how long you leave it, if you mix it with different liquids, if you scrape some of it off, think about aspects like texture and colour, and how to use those with other factors to produce unique images.
Make sure to get non-toxic UV paint that is created for the purpose of being used on skin!
Have fun! Experiment, communicate with your model, make sure they are having a good time as well, play with textures and moods and lighting and props, and see what you can produce.
Big thanks to Katherine, Olivia, and Katarina for being such amazing models!
There is definitely something at least a little intimidating about writing the first proper post for the site, but exciting as well! Its not been an easy year for anyone, including me, and my business has suffered a lot under lockdown. With a new strain of Covid-19, the run up to Christmas now looking increasingly bleak, and spending the start of the new year in lockdown, it does feel like the challenge of this year is likely to follow us into the next.
That said, there is also a lot to look forward to as well. On a personal level, we have finally put down a deposit on our engagement ring, and hopefully will be able to start wedding planning in earnest next year. On a business level, I have a few exciting projects in mind (more to come on those soon!) and a few collaborations which will be paying off in 2021. On a wider scale, with the days getting lighter, vaccinations underway and the promise of warmer weather and sunnier days, it does feel like there is something to look towards, even if it is a while off for the time being.
So while there is plenty of challenges ahead, there is also plenty of good times as well hopefully in 2021, for now we just have to see.